Wu Xiao is a Ph.D. student at École Pratique des Hautes Études in Paris. Her dissertation focuses on the hospital architecture in Renaissance Italy. She completed her BA in ancient Chinese architecture at Peking University and published an article on the reconstruction of Grotto 55’s antechamber at Mogao, Dunhuang. Xiao has worked in several cultural institutions in Beijing, Xinjiang, and Fujian in China.
Kaylee Kelley is a first-year PhD student at Boston University focusing on cinquecento portraiture and material culture. Her Master’s thesis entitled ‘“Illustrious Through Her Own Virtues”: An Alternative Vision of Laura in Cinquecento Florentine Portraiture’ investigated the relationship between devotional objects and portraiture vis-á-vis contemporary literature. Prior to her PhD, Kaylee completed a Master’s at The Institute of Fine Arts and a Bachelor’s at the University of St Andrews, where she earned a joint honours degree in the History of Art and English Literature. She was recently awarded a humanities grant by NYU, which will fund her internship at MAP.
Daniela Graca holds a Bachelor of Music in musicology from the University of Ottawa (2022) and will begin her Master of Arts in musicology at McGill University this autumn. Her research centres around women in Italian Renaissance music with particular focus on music and the body and music in female homosocial settings. She was the 2022 recipient of the Anthony King Memorial Scholarship for her research about 16th-century musical feminism in the Florentine convent of La Crocetta and is currently a research assistant on Mapping the Musical Landscape of the 16th Century. Recently, Daniela was also awarded the SSHRC Canada Graduate Scholarship for her upcoming studies at McGill.
Georgina Rowley completed her undergraduate degree at the University of East Anglia, specialising in sixteenth-century Italian poetry. She wrote her third-year dissertation on the use of the Heroides as a mode of writing that offered courtesan-poets Veronica Franco and Tullia d’ Aragona a way of expressing their private aspirations publicly. Her interests include courtesans, women artists, matronage, and the studioli of Renaissance noblewomen. Georgina worked as a remote archive assistant with the Archives of the Jesuits in Britain for a year and then completed a six-week in-person placement. Over the last year, she has worked at the Norfolk Heritage Centre, cataloging ex-referenda and researching the collection of rare early modern books. Additionally, she gave a talk regarding her recent discovery of a medieval manuscript leaf. She will be beginning the MA in Art History, Renaissance Culture and Curatorship at the Warburg Institute in the autumn. Georgina will be working with Dr Sheila Barker at MAP to digitize Bronzini’s manuscripts at the Biblioteca Nazionale Centrale di Firenze and will search for archival material regarding the relationship between Leonora de’ Medici, Constanza Lenzi Gondi, and Lucrezia Quistelli.
Sophie Jones is a senior at Smith College, where she majors in art history with a concentration in archival studies and a minor in Italian. She is interning with MAP after spending the semester studying in Florence. Her focus lies within religious/devotional art and its ties to gender in the Renaissance period, and she is also interested in historical costume. She is a board member of Citrus, Smith’s fashion magazine.
Anna Malgeri completed her BA and MA studies summa cum laude in history at the University of Florence in 2017 with a thesis on 18th-19th century Tuscany Jewry. She is a high school teacher and a poet. Her book of poems Abbracciami Israele was published in 2020. For more information about her see https://unifi.academia.edu/AnnaMalgeri.
Zaida is a senior at the University of California, Santa Barbara pursuing a bachelor’s degree in History of Art & Architecture and a minor in Poverty, Inequality, and Social Justice. Previously, She interned with the Brooklyn Museum, and through The Association of Research Institutes in Art History, interned for the Metropolitan Museum of Art, the Canadian Center for Architecture, The Clark Art Institute, and the Yale Center for British Art. Currently, she is studying art and photography in Florence while also interning with the Medici Archive Project
Swetha Ganeshkumar is a junior at the University of Minnesota majoring in Finance and minoring in Business Analytics at the Carlson School of Management. She is from Minnesota and is studying abroad in Florence for one semester. In her free time, she is involved with her business fraternity Delta Sigma Pi and an organization called THRIVE.
Noah Dasinger is currently a second-year master’s student at the University of Georgia, where he studies early Renaissance sculpture and the Medici. He joined the Medici Archive Project in June of 2021, where he worked alongside the director Dr. Alessio Assonitis. His duties included transcription, indexing, and cataloging documents uploaded onto MIA. His thesis entitled “Symbolic Epigraphy and the New Rome: Humanist Capitals on the Tomb of Leonardo Bruni” will address the connections between the revival of antique-styled Latin epigraphy and the growing influence of Romanesque manuscripts on the writings of Leonardo Bruni and the inscriptions Bernardo Rossellino. His work will shed light on the peculiarities of quattrocento epigraphy, addressing their semiclassical appearance, as opposed to their direction imitation of antique letterforms.
Alison Holdsworth is currently pursuing a Master of Arts in Art History at American University in Washington, DC. She joined the Medici Archive Project in January of 2021, where she worked alongside a team of fellow graduate students for Dr. Gabriele Mancuso within the Eugene Grant Jewish History Program. Their tasks included collecting and cataloguing images and objects for an upcoming exhibition at the Uffizi Gallery in Florence, Italy. Most recently, Alison has also accepted a position to intern for Dr. Sheila Barker at MAP within the Jane Fortune Research Program on Women Artists. Alison’s own interests involve the work of women artists of the Italian Renaissance, material culture of the period, and somaesthetics. Her thesis focuses on Northern Italian portraits of women (1480-1600) and the evocation of the sense of touch to suggest female agency in those works. She had the wonderful opportunity to travel to Italy this summer for thesis research after being awarded the Carol Bird Ravenal Travel Award in Art History as well as a College of Arts and Sciences Student Research Award by faculty at American University.
Olivia Marcum is a senior at Centre College, double majoring in Art History and Studio Art with a concentration in oil painting. She has been awarded the J. Graham Brown Fellowship from Centre (her undergraduate institution). Her research interests include the activities and social contexts of early modern women in Europe, and the lives and works of early modern female painters. She is currently researching the studio practice of Artemisia Gentileschi in Florence. Next year, she will begin a year-long position as a research intern under Dr. Sheila Barker.
Katherine Rabogliatti is an Art History Masters student at Syracuse University. Her interests include women writers and artists in early modern Italy, with a particular focus on the life and work of Sofonisba Anguissola. She is currently researching Sofonisba’s time in Spain and later life, concentrating on the artist’s social circle at the Spanish court and how these relationships helped her gain international recognition. Katherine has been awarded the Chandler-Ott Fellowship from her undergraduate institution, Wellesley College, and the Florence Art History Fellowship from Syracuse University, both of which will fund her graduate studies.
Christine Staton is a recent graduate of Syracuse University’s master’s program in Italian Renaissance art. Her program included a year-long residency in Florence where she first encountered the Medici Archive Project. Christine’s thesis, “The Nectanebo Lions on the Fontana dell’Acqua Felice: Egyptian Revival in the Rome of Sixtus V,” studied two Egyptian antiquities in Rome as a part of the Egyptian Revival during the Renaissance. She hopes to continue this work in a Ph.D. program. Christine has worked in several art museums and research institutions, including the Philadelphia Museum of Art, the Medici Archive Project, and the Istituto Nazionale di Studi sul Rinascimento. Christine is a regular speaker and author for the Coalition of Master’s Scholars on Material Culture.